Archive for Link
November 17, 2009 at 3:23 am · Filed under Artworks, Link
Maurice Benayoun has been in residence at the San Francisco Art Institute for the kick-off of his new project, The Art Collider (TAC). After attending the final workshop this evening and learning a bit more about this new digital art collaborative network I have decided to enter the viral network of art creation with my next project. I am composing a third fragment (the first being my labrun performance at UC Berkeley in Fall 2008 and the second being my performance at the Milk Bar this past August 2009) that will be performed this December 11, 2009 representing the Berkeley Center for New Media at the CITRIS Gala at UC Berkeley.
Keep an eye on my project wiki for information! In short, here’s a brief and rough description of the project…
The conceptual context of this piece is based on accelerometer sensors. I have used wireless accelerometers in rehearsals to inspire and create the choreography. These sensors will not be worn in performance in hopes of demonstrating a spectral digital presence. I am working lately to explore the possibility for a digital tone without digital technology, so hope to explore this concept more by presenting this choreographic material.
Using a live camera feed I will input real-time performance information into The Art Collider (TAC). I will simultaneously take visual images from the collider that will be projected in the performance space. The dancers will respond to these images live. A second projection will display the visual representation, or “monitor,” of the interaction within the larger networked TAC.
May 25, 2009 at 2:17 pm · Filed under Artworks, Events, Link
I’m beginning to think in choreographic experiences again. Journaling and allowing my experiences to materializes in creative impulse. I’m currently trying to decide whether or not I want to use interactive technologies like wearable sensors in my composition, which I will show at Oakland’s The Milk Bar this August 14th. I am thinking of using this composition to explore interaction that is virtual in the physical sense of the word. Friends recently made a video that deals with analogue/digital conversion, the physical choreography that comes with drawing, and mechanical construction as performance. I think I am going to “interact” with these different artistic processes. I have gained so much inspiration from learning how to program. I am interested in how much of this has to do with the technical aspects of live interaction, and how much with having the opportunity to exercise my intellectual/creative abilities in new and interdisciplinary ways. Nonetheless, I will also continue learning more about microcontrollers this summer. I’ll be learning how to use the Arduino Lilypad, a textile based microcontroller and will continue exploring Jitter!
April 19, 2009 at 10:15 am · Filed under Artworks, Events, Link
I will be setting up the UC Berkeley Graduate Program in Performance Studies 10th Anniversary and will stop at noon to move with my colleagues. Join in my friend Beth’s international public art performance and celebrate National Dance Week: Sign up to “dance anywhere” and post your dance documents online.
danceanywhere.org
April 10, 2009 at 1:28 pm · Filed under Link, Theory, Thoughts
I have been thinking a lot lately about archiving digital artwork and why we could have an interest in obsolescence, failure and frustration. Also, how do we differentiate between what is new and trendy and what is valuable theoretical example.
A conversation with an architect friend of mine drew me to question dance notation in a very practical way. As she designs a performance space (a hypothetical performance space), she wonders how dancers write their work. Or, do they? She shares her architectural diagrams with me and we think about how she documents architectural movements in space. Can she animate her structure? Or, is it a static picture of potential movement.
With this in mind, I come to consider Brian Massumi’s Parables for the Virtual. He talks about movement, virtuality and affect in space and time. He draws upon Spinoza, Deleuze and Bergson. Massumi introduces his book by talking about thinking the body and understanding how this thoughts interacts with his ideas about movement and culture. Is movement possible? Or, is movement, rather, an in-between space. Our movements are mapped by static positions that we only move between. From a dance perspective, I would clearly disagree. We aren’t only moving between static places. We are moving spaces. Of course Massumi’s argument is more complicated than this and in a way can not even be summarized or quoted. Massumi says himself that his text is comprised of many terms that come in and out to work with and challenge each other. The argument itself is a choreography and the circularity makes it resistant to summation or quotation without decontextualization. Massumi doesn’t move from one static point to another in his text. Rather, he embodies what moving spaces as opposed to moving between places would be.
This makes me question any time of static dance notation or mapping. I recognize that scholars have questioned this very notion of notation for decades, but I think we are in a new age where the questions reemerge with contemporary examples…just like Massumi uses pre articulated theories and explains through his book how new media examples further enlighten pre articulated theories. The recent launch of Synchronous Objects is a great place to question new media examples of dance notation. The Synchronous Objects team doesn’t claim that their project notates every aspect of a dance. They also recognize how this is one way to explore a dance experience. Revealing how different camera angles along uncover different interpretations of what a live dance experience was, the project accounts for several modes and forms of documentation in a digital age. I must admit that I was initially incredibly resistant to this project. I had several questions about what the site could actually give a viewer and how the site ignored a lot of different qualities that a dance could potentially exhibit.
These questions, I realized, were hypocritical. Just like I think that exploring digital virtuality is just one way that we can experience and explore the body in contemporary space and time, this project attempts to do similar things. I would call Synchronous Objects a choreographic project in its own right as opposed to a notation project. Each time I experience One Flat Thing Revisited with a different feature of the Synchronous Objects site the project becomes something new. One thing that I am particularly interested in, for example, are the different digital visualizers.
I was recently asked how working with live interactive performance technologies was aesthetically interesting. This question was followed with an inquiry about what we actually get from the visualizations that come from the interaction. Can we really see what the dance is from the visualization? This, though, isn’t the point. The point for me has to do with what we can’t see from this visualization. How does it not work? Dance is ephemeral. This we know. Digital technologies, too, are quite ephemeral. Digital visualizations of dance are merely new ways to explore and inspire spatio-temporal exercises.
Once I approached Synchronous Objects from this standpoint the project came alive for me. What I find interesting about Massumi’s project is that he takes spatio-temporal exercises from a time before the developed digital virtualities that we have today and engages them with new media examples. We can use projects like Massumi’s to begin to realize how physical and digital virtualities can exist together and enable each other. They aren’t necessarily dichotomous and they aren’t necessarily complimentary. Rather, they are two qualities that exist in our contemporary reality. As artists, we explore these situations.
April 10, 2009 at 1:01 pm · Filed under Link, Theory, Thoughts
Well, there is a lot going through my mind lately. As finals are approaching I am considering potential paper topics and allowing for all of the musings that I have had over the past several months come flooding back into my thought process. I am currently working on my paper for the Dance Under Construction conference at UCLA, which will be on micro-movements associated with iPhone and how Apple markets a certain kind of choreography with their patented device. The one US iPhone patent uses language like “embodied,” “gesture” and “performance” to describe how their multi-touch user interface is a unique way through which a user can interact with the world around her with “just the touch of a finger.” How is this digital (anatomically digital) choreography changing our associations with transcribing the space that we live in? Perhaps, though, these technologies are no different than using a computer and a mouse when it comes to transcribing Internet spaces as opposed to real spaces. Are the iPhone and other similar digital devices furthering our Internet experiences even more because of the portability? How often do we see someone navigating themselves through a city not by looking at street signs and the sights around them, but by looking at the GPS bubble on their iPhone? What might deCerteau have to say about this?
Well, since I am having so many thoughts about many different things, perhaps I should add them all in different posts. Yes, more to come on my musings after this post….
April 4, 2009 at 2:17 pm · Filed under Events, Link, Theory
I will be leading this week’s New Media Working Group! Check out the invite/description below and share your thoughts! Join us if you’re in the area.
The New Media Working Group will hold its next meeting on Thursday, April 9, from 2:30-3:30 pm in the Berkeley Center for New Media Commons (340 Moffit). Please join us to discuss Brian Massumi’s latest book, Parables for the Virtual, where he considers virtuality as it relates to movement. Paying particular attention to “The Bleed: Where Body Meets Image” and Massumi’s description of virtual affect in relation to Ronald Reagan’s account of watching himself move on television, we will discuss virtualities of movement.
Copies of the reading are available at
http://nmwg.notlong.com/
March 9, 2009 at 3:24 am · Filed under Events, Link
I just found the “dtwmain” posts on YouTube. Thank goodness for Dance Theater Workshop and their embrace of the Internet as a positive force in the contemporary dance community. Check out their amazing archive of performance and conversation…
…some of my personal favorites:
MAP ME by Charlotte Vanden Eynde & Kurt Vandendriessche at Dance Theater Workshop. Fall 2007.
Stephen Greco in conversation with Trajal Harrell prior to Quartet for the End of Time at Dance Theater Workshop. Fall 2008.
March 5, 2009 at 9:52 am · Filed under Link
see my twitter on catologue raisonné….great resource!
